Looking in the liver (The continuity of magic from East to West, Part 2A)
While looking in the British Museum for items to establish the continuity of magical practice from East to West, I ran across a quite compelling one: an artifact in the Near Eastern section labelled The Liver Tablet, dated between 1900 and 1600 BC and found in Sippar (in modern central Iraq). Its description says it is an:
Inscribed model of a sheep’s liver probably used for instructing pupils; each box describes the implications of a blemish appearing at that position.
And just what might those implications be? We’re talking here about divination—attempting to foresee the future—one of those mysterious mancies ancient magic is riddled with, in this case hepatomancy, which itself is a type of haruspicy. The first term derives from the Greek words for “liver” (ἧπαρ, hêpar) and “divination” (μαντεία), and the second from an archaic Latin word for “entrails” (haru) and the Greek word “to examine” (σκοπία, skopiá), which we also see in another form of divination handed down from Mesopotamia, the horoscope. Still more terms referring to the same arts appear, and as they will come up later, it’s best to introduce them as well; hepatoscopy and extispicy, respective synonyms of the first pair.
The Brit’s liver tablet turns out to be far from unique, with hundreds of similar ones excavated from sites like Mari (in modern eastern-central Syria) and Hazor (north-eastern Israel), with some 36 of them found at Hattusa (central Turkey) alone.
And of course the reason this object caught my eye is that there is a rather famous one that’s quite similar relating to the Roman culture, known as the Liver of Piacenza for the northern Italian province in which it was found, more on which later.
Turning to the Mesopotamian complex of languages and the practitioners of the art in the region, although several terms for various priests and priestesses are attested, there are a few for this specific religious office, including Sumerian mash’shugidgid, mash’shugigi, and uzu, all of which came to be expressed in Akkadian by the term bāru. In Mesopotamia hepatomancy is thought to be the oldest of the divinatory arts, predating even writing. As professor of ancient Near Eastern studies, Beate Pongratz-Leisten notes:¹
While no omen reports have been transmitted from the early periods, Early Dynastic profession lists and numerous administrative tablets from Ebla [in modern northwest Syria] point to the practice of extispicy performed during the third millennium BCE.
The specially trained priests would inspect the liver and lungs of a sacrificial sheep for omens. The liver was regarded much as the heart is today, as the seat of emotions, especially desire, and even life and the soul, and so received particular emphasis in auguries. As a side note, in antiquity Cupid/ Ἔρως’s arrows targeted neither the victim’s heart nor liver but their eyes.
Moreover, although anything animate or inanimate could be used by the gods to express their will as to human affairs or indeed cosmic truths, the stars and the liver were thought of as the particularly favored media. Professor of religious and classical studies Alan Lenzi notes:²
[Mesopotamian s]cholars’ references to the celestial phenomena as “heavenly writing” (šiṭir šamê) or “writing of the firmament” (šiṭir burūmê), and the categorization of the liver as the “tablet of the gods” (-uppi ša ilī), are indicative of this perspective.
As to the method of this divination, the size, shape, and color of the organ were considered, but marks and the locations in which they appeared were of particular importance. Just as the museum’s label notes, the liver tablet and many like it essentially directed the student to the omen indicated by a mark at a given location.
Prior to all of this, the priest would have a specific question to which the answer was being sought, generally regarding the important actions a ruler was planning to take, in order to gauge both the general cosmic favorability and the possible repercussions. The priest then,³
used judicial terminology, asking the sun god Šamaš “to judge the case” (dīna diānu) and “put truth” (kitta šakānu) into the entrails of the sheep.
As this suggests, such auguries mainly pertained to royalty, and as the sheep you possessed essentially equated to your wealth and social status, the extravagance of consulting their innards was also necessarily restricted to the elite. For example, the archive at Ebla, in the northwest of modern Syria, one of the largest from the time and region (mid-3rd millennium BC) contained lists of sheep so used, which,⁴
reveal that it was practiced on a large scale on behalf of the court, but also point to the king’s sponsorship and patronage of the craft.
The latter was true to such an extent that the seals of these priests beginning in the Old Babylonian period (c. 1830 BC) reflected their position in direct relation to the kings they served. One named Asqudum from the kingdom of Mari, for example, reads:
Zimri-Lim, appointed by the god Dagan; Asqudum, the diviner
Zimri-Lim is of course the king he served.
Furthermore, the Book of Ezekiel 21:21 characterizes Nabû-kudurri-usur (𒀭𒀝𒆪𒁺𒌨𒊑𒋀, best known as Nebuchadnezzar II) of the Neo-Babylonian Empire as personally performing hepatomancy among other divinatory arts:⁵
For the king of Babylon stood at the parting of the way, at the head of the two ways, to use divination: he made his arrows bright, he consulted with images, he looked in the liver.
A few things are worth noting here: First, the crossroads is the locus of the oracle, a liminal space in several traditions. The Greek Ἑκάτη (Hekátē) was the goddess of the crossroads as well as witchcraft, and the Roman Diana took on these aspects under the epithet Trivia, meaning “triple way”, or crossroads. This idea of such places was passed down even to relatively modern times as bluesman Robert Jordan was reputed to have traded his soul to the devil for his guitar skills in the 1920s. Second, the arrows are actually shaken rather than “made bright”—other translations render it this way. That is, they are cast as lots; this is another form of divination known as cleromancy. Finally, the images mentioned are graven ones—idols known as teraphim (תְּרָפִים), “household gods”. All of this is to decide whether to invade Jerusalem, for which apparently the king received a resounding yes from the gods.
From the time that divinatory material begins to appear in writing, royal and temple libraries show it to be quite important, often housing large collections. An example of the importance of such documents can be seen in King Ash’shurbanipal’s archive, where over a quarter of the tablets were divinatory.
These royal associations extended to the omens themselves because of their relationship to historical events, i.e., this mark appeared when king X did Y, and so presenting either dire or propitious tidings based on the outcome. Things like:
a-mu-ut Na-ra-am-(d)Sîn sá A-pí-sá-al Il-qá-é
Omen of Naram-Sin who conquered Apishal.
a-mu-ut ú-hu-ra-im si12 I-bí-(d)Sîn ba-taq? ma-ti-šu i-ba-al-ki-li-šu
Omen of diminishment of Ibbi-Sin against whom a fraction of his country made a revolt.
Naram-Sîn and Ibbi-Sîn being kings of the Akkad and Ur III period respectively.
Eventually and somewhat predictably, it became aspirational to appear in these omens as a paradigmatic and historiographic ruler, also uncoincidentally increasing one’s prestige and political power. Ash’shurbanipal, for example, sought to insert himself into the company of kings like Sargon and Naram-Sîn of Akkad, as is recorded in a letter from a diviner asking how the king would like his omens to be written, running in part:
[Omen for Ash’shurbani]pal, mighty king, reverent prince, of whom (it is said) Ishtar (walks) at the side of his a[rmy] cut off [the head of Teumman, king of Ela]m in the midst of battle and the son of Bēl-iqīsha […]-tuk of the Elamite they hung around his neck, and Ash’shurbanipal [went to Nineve]h, his royal residence. They were exulting joyfully and performed music, the messenger? of Ummanigash, king of Elam, he killed in front of Ash’shurbanipal, king of the universe, and he sat on his throne. Ash’shurbanipal, king of the universe, at the command of […] Tammarītu, king of Elam, together with his magnates rolled before him [in?] Nineveh, his royal residence. [whom Assur and] Ishtar love and lead with their full content, and Tammarītu who had plotted for help of Shamash-shum-ukīn, he himself, the diviner and his magnates went and kissed his feet, Tammarītu and the diviner accused each other in front of him.
[If … the right and left side of the station are […] it is the omen of Ash’shurbanipal, king of the universe, (of whom it is said) that Shamash and Ishtar walk at the side of his army and killed (his enemies) in the midst of battle and effected their defeat.
[If…] in the lift of the head of the right lung there is a sign/omen (predicting) the annihilation of the army, it is an omen of Shamash-shum-ukīn, [the treacherous brother, who] fought against the army of Ash’shurbanipal, the beloved of the great gods, (but) was defeated.
I’ve covered the prevalence of this form of divination in the ancient Near East, next time more about its presence in Western magic and ritual.
Coincidentally, the Brit’s exhibition, “I am Ashurbanipal: king of the world, king of Assyria”, was really what I went there to see but alas, it was the last weekend of its run, it was sold out, and I didn’t get to see it so I did this instead.
Read Subsequent Articles in This Series
Read Previous Articles in This Series
- Beate Pongratz-Leisten, “The King at the Crossroads between Divination and Cosmology”, Divination, Politics, and Ancient Near Eastern Empires, Ancient Near East Monographs, 2014.
- Alan Lenzi, “Revisiting Biblical Prophecy, Revealed Knowledge Pertaining to Ritual, and Secrecy in Light of Ancient Mesopotamian Prophetic Texts”, Divination, Politics, and Ancient Near Eastern Empires, Ancient Near East Monographs, 2014.
- From Pongratz-Leisten.
- Taken from the King James Version.